One that I don’t see many people use is when you play the first measure of a 12 bar blues you play: Root, 3, 5, flat 5, and then you end up at the 4 chord for the second measure.
Do you mean not play the changes and just hang on the root? Like in a 12 bar blues in C you would play C through the whole thing?
Do you mean not hitting the changes and letting the bass be a pedal tone?
Cool, do D and G play evenly with the A and E? or at least more so than other weedwackers?
You seem to have a very light touch to your playing, do you think these strings benefit from a lighter, dixon-style slap?